Us (Movie Review)

Jordan Peele returns to the directors chair with his sophomore effort, Us, a horror film that was released stateside last week but only just made its way to Nigerian shores. The very fact that it is being shown over here is a welcome change, considering the fact that horror movies are rarely ever shown or given top billing at our local cinemas. So it was with equal parts dread and excitement that I had approached the movie, and I am happy to report that it delivered the scares, thrills and twists fans have come to expect.

The movie centers upon Adelaide (Lupita Nyong'o), a woman who has spent the better part of her life living in fear and anxiety following an experience she had in a funhouse as a child. She is forced to face her demons, so to speak, when she goes on vacation to her deceased parent's beach house, where the trauma began. She is accompanied by her wise-cracking husband, Gabe (Winston Duke), and their two children, Zora (Shahadi Wright Joseph) and Jason (Evan Alex).

At first, everything appears to be going according to plan, with the family trying its best to make the most of their vacation in spite of Adelaide's growing discomfort. Gabe even rents a beat-up motorboat, in a failed effort to oneup his friend and rival, Josh (Tim Heidecker), who is also there vacationing with his wife, Kitty (Elisabeth Moss) and their twin daughters. But things take a dark turn one night when the power goes out and they discover a family of doppelgängers standing in their driveway.

It is almost impossible to talk about Us and the full extent of its brilliance without threading into spoiler territory, but I'll try. The film is anchored by Lupita Nyong'o in the dual roles of Adelaide and Red (her doppelgänger), who gives what is arguably her best performance since her Academy Award winning turn in 12 Years a Slave. It also makes effective use of licensed music, with the Luniz classic, I Got 5 on It, in particular taking on an ominous tone as it is worked into the film's overall score.

The movie is also impeccably shot by Mike Gioulakis, who had also worked on the equally creepy and brilliant horror film, It Follows. And I guess that is the best way to describe Us as a whole, creepy but brilliantly so. It also boasts a twist ending that puts the likes of Glass to shame, one that seems so mind-boggling at first but fits perfectly into the overall narrative once you've given it a fair amount of thought. And it is all these things that come together to make it one of the best movies that has graced cinemas this year and every bit a worthy follow-up to Get Out.

Captain Marvel (Movie Review)

For those of you wondering why I am only just posting this review, this is due to the fact that the release of Captain Marvel in Nigeria was delayed by a week because of last week's gubernatorial elections. An annoying development for sure, considering that we'd all been waiting for it since that post-credits scene in Avengers: Infinity War last year. Thankfully, the excitement surrounding the movie had not been dampened by the delay, with the movie itself proving to be worth the extra wait.

Set in the mid-90s, the movie stars Brie Larson as Carol Danvers, the US Air Force pilot that would become what is being billed as Earth's mightiest avenger. When the film opens, she is part of the Starforce, an elite squad of soldiers fighting for the Kree Empire in their war against the Skrulls, a rival alien race. She has no memory of her Earth origin, or the origin of her special abilities, but she is trained to control them by her mentor, Yon-Rogg (Jude Law). During a mission to rescue a Kree spy on a Skrull base, she is captured by the Skrulls and taken aboard one of their spaceships.

Her memories are probed by the Skrull leader, Talos (Ben Mendelsohn), who is hoping to find information about the whereabouts of a device called the light-speed engine. She manages to break free of her refrains during his probing, and she uses an escape pod that crash lands on Earth, where she meets S.H.I.E.L.D. agents, Nick Fury (Samuel L. Jackson) and Phil Coulson (Clark Gregg). She struggles to bring both men up to speed on the war between the Kree and the Skrulls, but it doesn't take long before they are all swept up in the throes of that war.

Going into Captain Marvel, there were three main questions I felt the movie needed to address: who is Captain Marvel? Where has she been through all the global threats the Avengers have been fighting over the years? And is she powerful enough to stop Thanos? The movie doesn't only give satisfactory answers to all three questions, it also poses several questions of its own, some of which can only be answered in a post-Avengers: Endgame sequel. As a standalone movie, it delivers all the action, spectacle and laughs that fans have come to expect from the Marvel Cinematic Universe (MCU), even though it never quite reaches the heights of some of its finer offerings, or even attempts to, which is okay.

It was always going to be tricky introducing another superhero origin story this late into the overall Infinity Gauntlet story arc, but Captain Marvel fits so nicely into the already-established MCU that it is little wonder why her movie hadn't been released sooner, alongside Phase One origin stories like Iron Man, Thor and Captain America: The First Avenger. The film even has a simple style and tone more in line with the films of that phase. But what it lacks in comparison to some of the more stylized movies of later phases it more than makes up for in the sheer promise of her forthcoming appearance in Avengers: Endgame next month.

Alita: Battle Angel (Movie Review)

As readers of this blog might have already gleaned, I have a really strong affinity for works of science fiction, being a writer of such works myself. And Battle Angel Alita, or Gunnm as it is known in Japan, was a cyberpunk manga series that came to my attention when a review of one of my books had pointed out similarities between the two. I was immediately intrigued by its existence, but never managed to get my hands on it to see for myself, until now. Directed by Robert Rodriguez, Alita: Battle Angel is a film adaptation of the comic book series.

Set in a far future following an interplanetary war known as The Fall, it tells the story of a cyborg (Rosa Salazar) whose working remains are found in a scrapyard by a scientist named Dr. Dyson Ido (Christoph Waltz). She is rebuilt and wakes up with no memory of her past life, not even a name. Dubbed Alita by Dr. Ido, she approaches everything in her new home of Iron City with a childlike wonder. But traces of her mysterious past start to show when she and the doctor are attacked one night, discovering she is trained in an ancient form of martial arts called Panzer Kunst.

Deducing that such encounters might help trigger memories of her past, Alita seeks to become a Hunter-Warrior, a registered bounty hunter that hunts down wanted cyborgs for the government. She also takes an interest in the gladiatorial Motorball, against Dr. Ido's wishes, after she is introduced to the sport by Hugo (Keenan Johnson), a boy she befriends and develops feelings for. But it doesn't take long before her activities are brought to the attention of Vector (Mahershala Ali), a shady businessman who trades in cyborg parts, and his mysterious benefactor, a scientist named Nova (Edward Norton).

The first aspect of Alita: Battle Angel that strikes you is how gorgeous the visuals look. For a movie that seemed to be stuck in development hell for close to two decades, the finished product is remarkable indeed. The film was written and produced by James Cameron, who was originally slated to direct but had to pass directing duties over to Robert Rodriguez due to his work on Avatar and its long-awaited sequels. Neither man is a stranger when it comes to making visually-striking movies, so its beautiful blend of live-action and CGI should come as no surprise.

Much like last year's Ready Player One, the movie also boasts of some excellent world-building, although I guess we have the source material to thank for that. I haven't read any of the comics, or seen its anime adaptations, so I can't comment on how well it has been translated to the big screen. But what has made it over into the movie is very much intriguing stuff, even though it sometimes felt like the movie was barely scratching the surface of all its source material has to offer.

Thankfully, the movie also serves as setup for potential sequels (for better or worse) should it prove successful enough to warrant making one. So here's hoping that it doesn't go the way of Mortal Engines and that it finds a large enough audience.

The Lego Movie 2: The Second Part (Movie Review)

In 2014, The Lego Movie introduced moviegoers to the Master Builders of Bricksburg (not to mention the insanely catchy theme song, Everything is Awesome). Since then, we've had two other movies in the Lego Movie franchise, The Lego Batman Movie and The Lego Ninjago Movie, both of which were released to varying degrees of success, but neither one quite reaching the high bar set by the first one. The Lego Movie 2 therefore marks an attempt by the filmmakers to serve up more of the eye-catching visuals and side-splitting comedy that made the first movie so great in the first place.

It's been 5 years since Bricksburg was invaded by aliens from the Systar System, turning the once beautiful metropolis into a post-apocalyptic shell of its former self. It's citizen have since adjusted to life in Apocalypseburg as it is now known, except Emmet (Chris Pratt) of course, who is still holding on to the steadfast belief that "everything is awesome." He is forced to come to terms with the harsh times though when his friends and girlfriend, Lucy/Wyldstyle (Elizabeth Banks), are kidnapped and taken to the Systar System by General Sweet Mayhem (Stephanie Beatriz).

Using his Master Builder skills, Emmet builds a spaceship and embarks on a rescue mission. Except he doesn't get too far into his journey before he requires some rescuing of his own, which comes by the hands of Rex Dangervest (also voiced by Chris Pratt), a "galaxy-defending archaeologist, cowboy and raptor trainer." Meanwhile, Lucy and the other Master Builders are brought before the shape-shifting ruler of the Systar System, Queen Watevra Wa'nabi (Tiffany Haddish), who reveals her plans to unite their two kingdoms, which includes brainwashing them with the aptly-named Catchy Song.

The Lego Movie 2 is everything you'd expect in a sequel to a beloved animated film. It doubles down on the humor and overall silliness of the first film, while also introducing more characters and musical numbers. The animation is also as vibrant and eye-catching as it has ever been, successfully creating the illusion that it was achieved using stop-motion techniques. That said, it was always going to be tough to recapture the same level of fun and childish wonder that made the first film so great, since its sense of novelty is already lost at this point.

Much like the original, events in the sequel are driven by an overarching narrative, which results in even more live-action scenes sprinkled throughout the movie (a decision that had resulted in the first film failing to be considered for an Academy Award in the Best Animated Feature category). Except here the overarching narrative is not as deep or touching as the one featured in the first film. We do get to see fellow SNL alum Maya Rudolph though, who plays the wife to Will Ferrel's The Man Upstairs.

To summarize, if you happened to love and embrace the wackiness of the first Lego Movie, chances are you'd like this one as well. But if you didn't enjoy the first one or you've locked up your inner child and threw away the key ages ago, then there is nothing new here that would win you over.

How to Train your Dragon: The Hidden World (Movie Review)

The dragon riders of Berk are back in the third and final installment of the How to Train your Dragon film series, The Hidden World. It's been 9 years since the first movie first graced the big screen in 2010, and as expected, the quality of the visuals have received a massive overhaul since then, breathing new life into the characters and the world they inhabit. But perhaps even more impressive is just how much those characters have grown and evolved over the course of the narrative.

After becoming chief of Berk at the end of the previous movie, Hiccup (Jay Baruchel) continues to fight for his vision of a world where humans and dragons can live in harmony. He does this with the aid of his friends by freeing those dragons being held prisoner by trappers, and bringing them back to his village. Except this results in their village becoming overrun by dragons. It also causes the aggrieved trappers to hire the infamous dragon hunter, Grimmel the Grisly (F. Murray Abraham).

As if the pressures of keeping his overcrowded village in order were not enough, Hiccup must also deal with the expectation that he take his girlfriend, Astrid (America Ferara), as his bride. And he is not the only one being troubled by matters of the heart, as his dragon, Toothless, takes a liking to a female Night Fury. Now it is up to Hiccup to show him how to win her heart, even as he struggles to keep his people safe by seeking out a new home for them in The Hidden World, a dragon utopia his father (Gerald Bulter) had been obsessed with finding.

How to Train your Dragon: The Hidden World is an emotional rollercoaster of a movie, even though it never quite reaches the emotional highs of the previous one. I tried not to get teary eyed at the ending, but dear Lord, did I fail. There were so many callbacks to the previous films, which makes you realize just how much these characters have come into their own. This is ultimately a movie about letting go of the things we love, as hard as that might seem, and embracing the uncertainty that such a future might bring.

Now this is how you end a film trilogy, unlike that recent movie whose name I would not be mentioning here. To do that would be an insult to the quality of this one. As such, How to Train your Dragon: The Hidden World joins the ranks of Toy Story 3 and The Lord of the Rings: The Return of the King as one of the most emotionally satisfying conclusions to a trilogy in recent memory.

Glass (Movie Review)

Few directors have recorded as many hits and misses in the past two decades as M. Night Shyamalan. And of all his successes, Unbreakable remains my favorite one, a unique take on the superhero origin story which came at a time when such movies were not considered mainstream or commercially viable. He'd won over critics and moviegoers alike with its surprise followup, Split, a psychological thriller released 17 years later. The movie was so successful that many considered it a return to form, so of course, we all anticipated the arrival of the final film in the trilogy, Glass.

The film opens with the Unbreakable David Dunn (Bruce Willis), who has since taken to fighting small-time criminals as The Overseer with the aid of his son, Joseph (Spencer Treat Clark). Having learnt about the actions of The Horde (James McAvoy) at the end of Split, David takes systematic walks through the city streets in the hope of coming in contact with anyone that might lead to finding him. The two superhumans eventually meet, but their showdown is cut short when both are captured by the authorities.

They are subsequently taken to a mental institution, where they meet Dr. Ellie Staple (Sarah Paulson), a psychologist that believes people like them are merely suffering from severe cases of delusion. It is her intention to treat both men, along with long-time psych ward resident, Elijah Price (Samuel L. Jackson), a comic book collector whose rare bone disorder had earned him the nickname, Mr. Glass. But unbeknownst to her, Elijah has been harboring plans of his own, and it involves her two newest patients.

I tried to go into Glass with an open mind, I really did. But nothing in this world could have saved the film from its head-scratching and very much convoluted finale. In his attempt to blindside audiences with one of his signature plot twists, Mr. Shyamalan has managed to undo much of the groundwork that had been laid by the two previous movies, and their associated brilliance. None of which is helped by the fact that none of it adds up, at least not within the context of the current film.

This is not to say it was anything as bad as Superman uttering the name, Martha, in the middle of a fight. Far from it. But the bait and switch nature of the twist makes it a poor choice, however you choose to look at it. Still, for all of its shortcomings, Glass remains a refreshingly different take on the superhero genre. The movie had its moments, and fans of Unbreakable would appreciate its adherence to that film's style and vision. It's just a shame that it couldn't have ended on a better note.

Lionheart (Movie Review)

Remember that one time I took a trip down the rabbit hole by reviewing a certain much-talked-about Nollywood movie? Well, I figured it was about time I paid Nollywood another visit by tearing apart critiquing another one of its productions. And what better candidate than Lionheart, a movie that made the news when it became the first Nigerian film to be acquired by the online streaming service, Netflix. So of course, I wanted to know what might have prompted the acquisition, plus I was curious to see just how far our productions have come in the past two years.

Lionheart marks the directorial debut of veteran Nollywood actress, Genevieve Nnaji. She also co-writes and stars as the lead, Adaeze, daughter of the CEO of the titular company. Headed by Ernest Obiagu (Pete Edochie), Lionheart Transport is one of the largest transportation companies in Nigeria. But its prospects for the future are put in danger when its CEO suffers a near-fatal heart attack, forcing him to step down. Rather than appoint his more-than-capable daughter as acting CEO, he instead appoints his somewhat-eccentric brother, Chief Godswill (Nkem Owoh).

As if things were not bad enough, Adaeze also learns that her father had left the company with some very substantial debts in his bid to try and secure a very lucrative government contract. She has just 30 days to repay the loans or risk losing everything her father had worked for. Now, she and her uncle must set aside their differences and work together to raise the money, even while the entire company is under threat of acquisition by the CEO of a rival company, Igwe Pascal (Kanayo O. Kanayo).

If Lionheart is representative of the current state of our Nollywood productions, then I have to admit they've been some marked improvements since 2016. At least it was nice to see a Nigerian film that seemed to get the basics right. The production values were definitely there. The editors made sure the story flowed in a fairly logical way. The cinematographers made sure we saw what we needed to see at all times. The sound mixers ensured we could hear what was being said, not what some guy in the sound department felt were the trendiest Nigerian songs, playing several decibels too loud.

For a first time director, Genevieve Nnaji did a somewhat decent job behind the camera, which only goes to show how shoddy a job our other directors have been doing. She was also more than adequate in front of the camera, with her years of acting experience on full display. The acting was generally okay across the board, with Pete Edochie being the obvious standout, although there were more than a few supporting actors that sounded like their lines were being read by a digital assistant.

All that said, my main criticism stems from the way the film had been marketed to audiences. I'd taken one look at the movie's poster and I'd expected it to be a soaring drama. A soaring drama it was not, and what I'd gotten instead was closer to what you'd call a comedy, except it didn't have that many jokes and the few it had were not that funny. Maybe it is just the way that all Nigerian movies are made, forever hanging somewhere between being over dramatic and trying not to take itself too seriously.

Having watched the movie, I confess that I am none the wiser as to why Netflix had decided to add it to their streaming service. Perhaps it was nothing more than a business decision, an attempt to tap into our head-scratchingly lucrative home video market. The film did have a distinctly home video-like quality to it, albeit one with high production values. It was definitely better than some of their more recent acquisitions, including the internet meme generator, Bird Box. But then again, what isn't?

2018 in Review: Looking Back

We've reached the end of my week-long 2018 in Review series of posts. In case you missed it, the series was started on Monday with a rundown of my favorite video games released during the year. This was followed by a rundown of my favorite songs on Tuesday. On Wednesday, I highlighted my favorite albums. And yesterday, I revealed my favorite movies. Today, we'll be looking back at some of the events and people that shaped the year as a whole.

The people of England and the world at large were treated to another royal wedding this year. This time around, it was Prince Harry who was tying the knot, as he'd married Meghan Markle, the star of the popular TV series, Suits. The ceremony was held on the 19th of May and sure enough, millions of people around the world tuned in live to follow the proceedings. I don't watch Suits, but I've been following news about the British royal family ever since Princess Diana passed away in 1997. I admit it was a bit trippy seeing young Harry from back then getting married. I guess it's high time I accept just how old I have become.

Another thing I don't watch or particularly care for is football; at least not since I got my heart broken by the Nigerian national team, the Super Eagles, all the way back in 1994, when they lost to Italy during the Round of 16 at the World Cup. So these days, I'm more or less a casual observer with a pretty vague awareness of current happenings in the sport. But this is the frigging World Cup we are talking about here, one of the most highly televised events in the world, 32 teams competing for the title of world champion and all that jazz. France would eventually go on to win the title, in a 4-2 victory over runners up, Croatia, while Nigeria crashed and burned at the group stages.

The entertainment industry lost one of its biggest icons this year when Stan Lee passed away at the age of 95. He would have been 96 today. I cannot even begin to describe how influential his works have been over the years, spawning some of the most well-known pop culture superheroes in the world today. These include the X-Men, Spider-Man, Iron Man, the Hulk, Thor, Black Panther and Daredevil, just to name a few. He came to be known in recent times for his cameo appearances in movies based on his characters, so much so that these became highlights of the movies in question. He would be remembered for the vast legacy he has left behind.

My 2018 has been rife with ups and downs and various challenges and even disappointments, none of which I'll be getting into here. But if 2017 was about me getting back up and moving on from the sorry state I was in at the end of 2016, then 2018 is surely where I'd found the strength and determination needed to do so. And it has come from the strangest of places, through my love for heavy metal and the various subcultures that surround it. There is nothing quite like that jolt of pure energy you feel when you hear a perfect guitar riff, or when you step into a moshpit and you feel an instant connection with a group of complete strangers, a bond forged out of a shared love of an art form that is oftentimes misunderstood by outsiders.

I've always loved rock music, but my love for metal in particular, and all its various subgenres, can be traced back to my discovery of Linkin Park back in the heydays of nu metal. Another discovery I'd made this past year was of the presence of a thriving rock and metal community right here in Lagos, Nigeria. You have no idea how much my mind was blown when I'd found out we didn't only have people that showed a strong appreciation for rock music, but also skilled and competent artists devoted to that style of music. It was like being jacked out of the Matrix, and realizing for the first time that there is this other world that exists outside of the one you've come to know. I guess it just feels good to finally know that you are no longer in isolation.

All in all, 2018 has been a good year and we look forward to 2019 being even greater. Until then, thanks for reading, and Happy New Year in advance.

2018 in Review: Favorite Movies

Black Panther

I think we can all agree that Black Panther was one of the most eagerly anticipated films this past year, after the character's show-stealing debut in Captain America: Civil War two years before. The fact that it was to feature a predominantly black cast, and that it was being directed by Oscar-nominated director, Ryan Coogler, only served to heighten our expectations. And those expectations were more than met, propelling the movie to become one of the landmark cinema events of the year.

Game Night

Nowadays, it is very rare to find a comedy that is not only funny, but also competently made from a technical and artistic standpoint. Game Night is just one such comedy. It stars Jason Bateman and Rachel McAdams as a competitive gaming couple who are invited to what is billed as the ultimate game night. But things take a dark turn when one of the participants is seemingly kidnapped as part of the game, and the only way to win the game is to follow the set of clues he'd left behind beforehand.

A Quiet Place

Real-life couple Emily Blunt and John Krasinki star in A Quiet Place, a post-apocalyptic horror film about a husband and wife trying to keep their family safe in a world ravaged by hellish creatures that hunt by sound. The film makes good on its titular promise with long stretches of silence with hardly any dialogue spoken. Yet it still manages to retain as much tension as you'd expect from a film of this nature.

Avengers: Infinity War

Earth's mightiest heroes finally went toe to toe with Thanos this year, after 18 movies and as many post-credits scenes between them. And what a battle it was too, culminating in what would undoubtedly be remembered for years to come as one of the boldest and most heart wrenching endings to a superhero movie of this caliber. The story is not over yet though, so fans are looking forward to the release of Avengers: End Game next year for some much-needed closure.

Deadpool 2

The Avengers were not the only superheroes teaming up this past year, as the merc with a mouth was also putting together a team of his own. Known as the X-Force, his ragtag group of heroes would go on to provide more laughs than actual superheroics. Deadpool 2 builds upon the success of the first movie while also defining its place in the wider X-men cinematic universe, thereby setting itself up for more potential crossovers.

Isle of Dogs

Wes Anderson returned to stop-motion animation this year for his latest film, Isle of Dogs. In a dystopian future where all dogs in the greater Japan area have been banished to an island that doubles as a dump, one boy would embark on a journey to find and bring his dog back home. It is a heartwarming tale that has Wes Anderson's signature visual flair, while also boasting the voice talent of an all-star cast that includes Bryan Cranston, Edward Norton, Bill Murray, Jeff Goldblum and Scarlet Johansson.

Incredibles 2

14 years. That's how long it has taken for fans of the beloved Incredibles to get this much-anticipated sequel. But the Incredibles themselves haven't aged a day since 2004, as the movie takes place immediately after the events of the previous one. Superheroes are still illegal, but Elastigirl joins forces with a brother and sister duo that want to put an end to that, leaving Mr. Incredible to take care of parenting duties. Incredibles 2 was a great, worthy sequel. Here's hoping it doesn't take another 14 years to get a follow-up.

Mission: Impossible - Fallout

Tom Cruise proves once again that he's still got the moves in Mission: Impossible - Fallout, the sixth installment in the long-running spy series. Christopher McQuarrie returns to direct, and the story picks off right where Rogue Nation left off, with the IMF agents left to deal with the aftermath of their takedown of the Syndicate terrorist network. The film is easily the best in the series, with some even considering it among the greatest action movies of all time.

Ralph Breaks the Internet

Another long awaited sequel that was released into the wild this year was Wreck-It-Ralph 2. The movie has John C. Reilly reprising his role as the voice of the titular video game baddie turned goodie. He is joined by Sarah Silverman as the voice of his best friend, Vanellope von Schweetz, and the film finds the duo leaving the confines of the arcade to embark on an adventure on the internet, where they hope to find a replacement part for the Sugar Rush arcade game before it is "put to pasture."

Spider-Man: Into the Spider-Verse

Spider-Man: Into the Spider-Verse is the new benchmark for animated comic book movies, with its stunning visual style that looks like its been ripped straight out of the pages of a comic book. I can't overstate how stunning this movie looks. The fact that it also tells a great, heartfelt story, while still delivering the requisite amount of action just goes further to place it among the upper echelons of animated superhero movies, a space that is typically reserved for DC Comics adaptations.

And the winner is...

A Quiet Place

Yep. Called it. I'd known from the moment I finally saw A Quiet Place that it would be difficult for any other film to topple it off the top of my list of favorite movies this year. Not to say that they haven't been some serious contenders, with Mission: Impossible - Fallout and Spider-Man: Into the Spider-Verse being as awesome as they were. But there is just something about this movie that sets it above all others. No other movie had been able to tick all the boxes this year the way this one so effortlessly did. The 10 Cloverfield Lane comparisons are unavoidable for sure, but the fact that that was my 2016 favorite movie further cements this ones position as numero uno.

2018 in Review: Favorite Albums

Fall Out Boy - M A N I A

2018 was off to a great start with the January release of Fall Out Boy's seventh studio album, Mania. Despite a relatively lukewarm reception by critics, the album has proven to be a commercial success, debuting at No. 1 on the Billboard 200 charts while also earning the band their first ever Best Rock Album nomination at the forthcoming 61st Grammy Awards. Highlights include The Last of the Real Ones, Hold Me Tight or Don't, Champion, and Young and Menace.

Various Artists - Black Panther: The Album

One of the biggest event movies of the year also brought with it one of the year's finest albums. Spearheaded by none other than Kendrick Lamar, Black Panther: The Album finds the American rapper recruiting a number of talents from home and abroad as they take on several themes from the movie. The result is a cultural showcase that is every bit as remarkable as the movie that inspired it. Highlights include All the Lights, Opps, King's Dead, Redemption, and Pray for Me.

The Weeknd - My Dear Melancholy,

The Weeknd returned this year with a back-to-basics album; at 6 tracks in length, it is more of an EP than anything else. Shedding the more pop-oriented trappings of his previous two albums, My Dear Melancholy marks a return to the downbeats of his earlier mixtapes. He'd enlisted the likes of Skrillex, Gesaffelstein and Daft Punk's very own, Guy-Manuel de Homem-Christo to create its dark but luscious sonic soundscape. Highlights include Call Out My Name, Hurt You, and Privilege.

Panic! at the Disco - Pray for the Wicked

Panic! at the Disco released their sixth studio album, Pray for the Wicked, back in June. It's the first album to feature frontman, Brendon Urie, as the sole contributing member of the band. The fact that he's been able to hold it all together while also delivering what is possibly their best album till date is nothing short of incredible. Highlights include (Fuck A) Silver Lining, Hey Look Ma, I Made It, Dancing's Not a Crime, and Dying in LA.

Janelle Monáe - Dirty Computer

Janelle Monáe is one of those few artists out there today that still manages to consistently put out good music. Ever since her breakout EP, Metropolis: Suite I (The Chase), she has gone on to release the followup albums, The ArchAndroid and The Electric Lady. For her third album, Dirty Computer, she'd decided to drop her Metropolis narrative. Easily her most overtly sexual album till date, the record is renowned for its catchy hooks and buttery smooth production. Highlights include Crazy, Classic, Life, Take a Byte, Screwed, and I Got the Juice.

Five Finger Death Punch - And Justice For None

And Justice for None is the seventh studio album released by American heavy metal band, Five Finger Death Punch. It features their signature hard rock-leaning style of heavy metal, while also incorporating elements of blues rock on several of its tracks. But perhaps what sets their seventh album apart from its predecessors is the inclusion of two of their finest covers till date. Highlights include Fake, Sham Pain, Gone Away, and Blue on Black.

Florence + The Machine - High as Hope

Florence Welsh is without a doubt one of the finest vocalists in the world today, and her vocal prowess was on full display this year on the fourth Florence + the Machine album, High as Hope. The album is noted for its stripped-down production, which allows her vocals to shine even more than it did on previous records. Highlights include June, Hunger, Big God, and Sky Full Of Song.

Kids See Ghosts - Kids See Ghosts

Two of my favorite rappers came together this year to form the super-duo, Kids See Ghosts. Comprised of Kanye West and Kid Cudi, the duo released their self-titled debut, which came after several collaborations between the two over the years. There is no denying the high level of musical chemistry shared by both artists, but only time would tell just how far they are willing to take this with future projects. Highlights include Feel the Love, Freeee, Reborn, and Kids See Ghosts.

Disturbed - Evolution

Like I mentioned during yesterday's post, the heavy metal band, Disturbed, have made an attempt this year to followup on the crossover success of their Simon & Garfunkel cover, The Sound of Silence. And this came in the form of their latest record, Evolution, the title for which was meant to reflect the change in their sound to incorporate different styles. While they haven't quite captured lightning in a bottle for a second time, the effort has produced the equally beautiful ballad, A Reason to Fight. Other highlights include Are You Ready, No More, and The Best Ones Lie.

Architects - Holy Hell

Holy Hell marks the first Architects album released after the death of founding member, Tom Searle, and as a result, much of its subject matter is a reflection on death and our inherent mortality. Tom, who died of skin cancer in 2016, had written most of the band's songs with twin brother, Dan. The fact that the remaining members of the band have been able to craft something this heartfelt and admirable out of a situation so dire is an achievement in and of itself. Highlights include Death is not Defeat, Hereafter, Royal Beggars, and Doomsday.

And the winner is...

Architects - Holy Hell

It's been a solid year for metalcore, and fans of the genre specifically, but its defining moment this past year came with the release of the eighth Architects album, Holy Hell. This is without a doubt the best album I'd listened to all year, and one that I've found myself going back to time and again. There is something wholly mesmerizing about the music crafted by this English metalcore band, from lead singer, Sam Carter's, scream singing, to Dan Searle's drumming, and some of the best guitar work I've heard on a metalcore album. The album oozes perfection on every track, and is a clear indication that good things can come out of even the worst situations. It all depends on how you choose to move forward from it.