Friday, 21 June 2019
I was concerned from the very moment I'd heard that a fourth Toy Story movie was in development. I mean, the third movie had already been sold as the last one in the series upon its release, and it had ended so beautifully that it was always going to be impossible to match or surpass it. Well, leave it to the masterminds at Disney and Pixar to prove us wrong, as they've not only managed to craft a worthy successor, but one that also stands as a beautiful conclusion to the entire series in its own right.
Set two years after the events of the previous film, the movie finds Woody (Tom Hanks), Buzz Lightyear (Tim Allen) and the other toys from Andy's room already settled into life in Bonnie's room, the little girl who had taken ownership of them as Andy went off to college at the end of that film. It also opens by shedding some light on the circumstances surrounding Bo Beep (Annie Potts) and her departure from the group.
At the start of the movie, Bonnie is just about to start kindergarten and is struggling to deal with first-day jitters. This is not helped by the fact that she wasn't allowed to bring any of her toys with her. To cope with this, she creates a new toy in class, fashioned out of a disposable spork, some sticks and gum, and immediately grows to love and cherish this new toy, Forky (Tony Hale), above all others. But the toy itself struggles to deal with its newfound role, believing its place is inside the nearest available trashcan.
During a family road trip, Forky ceases the opportunity to act upon his suicidal tendencies, jumping out of their moving RV, and thus leaving Woody with no choice but to go after him. This leads them on an adventure where they come across an assortment of "lost" toys that include the imaginative duo Ducky (Keegan-Michael Key) and Bunny (Jordan Peele), the sweet but sinister doll, Gabby Gabby (Christina Hendrix), the stunt-crazed biker, Duke Caboom (Keanu Reeves), and a certain old flame whose reappearance has Woody reconsidering his place as one of Bonnie's often forgotten toys.
If Toy Story 3 was about accepting the inevitability of growing up and moving on from childish ways, then 4 is about rediscovering your inner child while embracing life and living it to its fullest potential.This is exemplified by its two main leads, Woody and Forky, and the fact that they have so much to learn from one another, despite being at different points in their respective lives. The ending of the movie didn't quite destroy me as much as the preceding one had, but the journey it took to get there was filled with more than enough heart, laughs and visual splendor to please children and adults alike.
Saturday, 1 June 2019
Every other summer, there seems to be that one movie that manages to stay under the radar until just before it releases to rave reviews and strong word-of-mouth, and by so doing becomes a must-see movie event. In 2015, that was Mad Max: Fury Road. Last year, it was Mission: Impossible - Fallout. For some reason, I really thought Godzilla: King of the Monsters would be that movie for 2019. Sadly, it is not. What we have instead is what is sure to be one of its biggest guilty pleasures.
The movie takes place 5 years after the events of the 2014 reboot to the franchise, in which the titular Titan from prehistoric times proved its place as mankind's greatest defender against others of its kind (but not before leveling both Las Vegas and San Francisco of course). It also pulls double duty by planting the first true seeds for next year's crossover with King Kong from Kong: Skull Island, Godzilla vs. Kong. But don't expect any kind of a strong connection to that movie in this one, other than a few oblique references here and there.
In the aftermath of both films, Monarch, the top-secret organization dedicated to tracking and studying Titans, has managed to develop a device called the Orca, which emits sound frequencies that can be used to control the giant monsters. It doesn't take long into the movie before that device falls into the hands of an eco-terrorist (Charles Dance) who plans on using it to control King Ghidorah, a three-headed dragon-like Titan who would in turn awaken all the other Titans and bring about a much-needed cleanse of the human race from the world.
In order to stop that from happening, Monarch recruits the help of Dr. Mark Russell (Kyle Chandler), co-creator of the Orca, whose ex-wife, Emma (Vera Farmiga), and daughter, Madison (Millie Bobby Brown), have been kidnapped by the eco-terrorists. He'd lost his son during the attack on San Francisco during the events of the previous movie. But now he must put aside his aversion for the Titans and work together with Dr. Ishiro Serizawa (Ken Watanabe) to find Godzilla, who is once again mankind's only hope and defense against the incoming Titan threat.
If none of that sounds like it makes much sense, then don't sweat it. The story is more or less an excuse to have skyscraper-sized monsters have a go at one another while wrecking everything in their path. And on those very grounds, the movie succeeds, delivering enough jaw-dropping spectacle to satisfy even the most jaded moviegoers. The problem though is that we've already gotten movies like Pacific Rim that prove that spectacle doesn't have to come at the expense of a good story.
Also lacking are the underdeveloped characters, whose motivations remain unclear or improperly realized for the most part. But it is obvious that the true stars of this movie are the giant monsters themselves, and the fact that each one looks so stunning and has been imbued with its own sense of personality needs to be applauded. I was especially wowed by Rodan, the birdlike Titan whose mere flight overhead is strong enough to cause shockwaves capable of leveling buildings.
Overall, I'd rate 2014's Godzilla higher than this sequel, despite the criticisms leveled against it for spending too much time teasing the fights between its Titans. This is simply because it gave us human characters you could actually invest in, as well as did a better job of balancing their plight with the conflict between the Titans. That said, Godzilla: King of the Monsters did feel like a logical progression from that movie, and one I might come to appreciate even more with a second viewing.