Friday 13 May 2022

The Northman (Movie Review)


After making a stunning directorial debut with The Witch in 2015, Robert Eggers returns to helm The Northman, his most ambitious project yet. The historical epic is said to have cost somewhere north of $70 million to make, a huge jump from the shoestring budgets behind his two previous films. But does all that additional money translate into a better movie, or does his latest film get bogged down by the conventions of blockbuster filmmaking?

The film is loosely based upon the legend of Amleth, a Viking prince on a quest for vengeance. Having witnessed his father die at the hands of his uncle, he vows to save his mother from his evil clutches and to bring bloody retribution to the usurper. But it would appear that the gods have greater things in store for Amleth, and he'll be forced to choose between fulfilling that destiny or carrying out his revenge on those who have wronged him and anyone standing in his way. 

From the moment I first caught wind of The Northman, it looked like a film with heaps of potential. Not only was it being helmed by one of the freshest visionaries working in Hollywood today, but it also had him stepping outside of his comfort zone to tackle something that looked very grand in its ambitions. But don't let its big-budget aspirations fool you; The Northman is still an arthouse film at its core. This is not a knock on the film or its marketing by the way, just my way of attempting to help set realistic expectations. 
 
Its classic revenge tale is interspersed with plenty of surrealist imagery, and the action takes a back seat in favor of beautiful shot compositions. All these things work together to lend the film a visual identity that has Robert Eggers' fingerprints all over it. Even the dialogue and the actors' deliveries bring to mind his prior work on both The Witch and The Lighthouse. And much like those films, this latest one has a supernatural element that has you questioning what is real or make believe.

Speaking of actors, the film has a stellar ensemble that features past collaborators like Anya Taylor-Joy and Willem Dafoe, as well as Alexander SkarsgÄrd, Nicole Kidman, and Ethan Hawke. Each one goes above and beyond with their performances, helping elevate the material past the appeal of a typical revenge flick.

Gore hounds would also be pleased to know that the film wears its R-rating like a badge of honor. This is a movie about Vikings after all, doing Viking stuff and generally being loud and aggressive. There are more than a few decapitations and disembowelments sprinkled throughout the film but it never becomes needlessly excessive.

The Northman marks yet another win for Robert Eggers, proving that he can just as easily excel at big-budget productions. It is easy to see where all the money went with its high production values and mesmerizing visuals. Its violence and artful approach might not be to everyone's taste, but its brisk pacing and easy-to-follow story should ensure that it stays captivating enough for everyone else.

5 comments:

  1. My review this week was similar. Excellent film. The cinematography was also amazing.

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    1. Yes, it was. I'm glad you enjoyed the movie as well.

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  2. This is one I'd be interested to watch at some point. From what Alex said the story was the basis for Hamlet. Then it's kind of ironic Ethan Hawke's in it since he was in a modern adaptation of Hamlet, so he's been in two versions of the story that aren't the traditional one.

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    1. It's out today on digital download. Didn't do particularly well in theaters, hence the abbreviated release window. Hopefully it gets more eye balls on it through streaming and VOD. And yeah, I'll have to check out Ethan Hawke's Hamlet someday.

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    2. I know that Hamlet movie is on Pluto TV On Demand for free. Not sure where else it might be streaming.

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